Chapter 7

That Night

A snake, a child, and one night at the cremation ground — when a woman arrived carrying her dead son at the very ghat where her husband was gathering shrouds

The son

Rohitashva was growing up in the house of the old brahmin who had bought him and his mother. One day he went outside, and a venomous snake bit him. The boy died. In the Devi Bhagavata this snake is said to have come at Vishvamitra's own order — and at the end of the story Dharma later says that he himself had taken the form of that serpent.

In the Devi Bhagavata, when Shaivya wept, the brahmin scolded her that crying in the evening is inauspicious. Only after much pleading did he allow the boy's last rites.

A woman at the cremation ground

At midnight Shaivya arrived, carrying her son's body, at that same cremation ground in Kashi. She was thin, covered in dust, dressed in rags.

She kept crying. She said: my son went out to play, and a cruel venomous snake bit him.

In the Markandeya Purana, Harishchandra was right there. At first neither recognised the other — dried faces, rags, the ash of the pyre. Then the king looked at the boy's face; the marks he bore seemed to be his own son's, and Shaivya recognised her husband's voice.

In the Devi Bhagavata she sobs: you, here, in this state — and you will not even lift me up?

One more turn in the Devi Bhagavata

The Devi Bhagavata adds one more turn to this night, before the recognition, which is not in the Markandeya. The city's guards saw a lone, weeping woman at midnight. They took her for a child-eating demoness in a woman's form.

They brought her to the outcaste. The outcaste told Harishchandra: kill her. She is wicked by nature.

Harishchandra refused, again and again. He said that women should be protected, not killed; I have kept this vow my whole life. The outcaste grew angry, and ordered him to raise the sword. The king raised it.

At that very moment Shaivya asked for one thing only: let me perform my son's last rites.

Once she was allowed to, she returned carrying her son's body; only then does Harishchandra recognise Rohitashva by his royal marks, and Shaivya recognises Harishchandra by his voice and form.

The pyre

In the Markandeya Purana, they then make their decision beside the pyre. Shaivya said: I cannot bear this weight of grief. I too will step into this blazing fire with you.

Harishchandra said to his wife that she should go on serving the brahmin who had bought her, and that he would step into the fire with their son. Perhaps they would meet again in another world.

In the Devi Bhagavata, Harishchandra says the same thing: I will leap into the burning fire with my son's body.

The two of them stood by the fire — husband and wife, and between them a dead son.

What is not found in the text

The scene of a "fee" demanded at the cremation is very famous in the popular versions of this story. We did not find it in these two texts' Harishchandra episodes. It belongs to a later form of the story, and so it has not been kept in this telling.

Note: This night is in the Markandeya Purana (chapter 8) and the Devi Bhagavata (7.25–26), and the two tell it differently. In the Markandeya, Shaivya arrives with her son's body, the two recognise each other, and both decide to step into the pyre. In the Devi Bhagavata there is an added turn — the guards mistake Shaivya for a child-eating demoness, and the outcaste orders Harishchandra to kill her. The wife's name is Shaivya in the Markandeya; in some tellings and regional versions, Taramati or Chandramati. The scene demanding a "fee" for cremation, very well known in popular plays and films, was not found in this site's check of either text's Harishchandra episodes (Markandeya chapters 7–8 and Devi Bhagavata 7.25–26), and so has not been kept in the story here. In the Devi Bhagavata 7.25, the snake comes at Vishvamitra's order; in 7.27, Dharma says that same venomous snake was himself too. The English lines are a natural retelling of the Sanskrit, not a word-for-word translation.

Source: from the Aitareya Brahmana, the Markandeya Purana and the Devi Bhagavata, That Night

Now — how much stayed with you?

What happened?

How did Rohitashva die?

  • He fell ill
  • He drowned in a river
  • A venomous snake bit him
  • He was killed in a battle
Read the whole story — The snake's bite

Rohitashva was growing up at the old brahmin's house.

One day he went outside, and a venomous snake bit him.

His mother decided to bring him to the cremation ground for his last rites.

Fact

Where did Shaivya arrive with her dead son?

  • At the same cremation ground in Kashi where Harishchandra worked
  • Ayodhya
  • A temple by the Ganga
  • The brahmin's courtyard
Read the whole story — Toward the cremation ground

Shaivya arrived at midnight, carrying her son's body.

She came to the very cremation ground where her husband was an outcaste's servant.

She had no idea she was about to meet her husband.

Who said it?

"My son went out to play, and a cruel venomous snake bit him." — who said this?

  • Harishchandra
  • The outcaste
  • The old brahmin
  • Shaivya
Read the whole story — A mother's words

In the Devi Bhagavata, Shaivya says exactly these words on reaching the cremation ground.

She had her son's body with her, and this was all she could say.

Only after this does Harishchandra look closely at the child and recognise Rohitashva by his royal marks.

What happened?

How did the two of them recognise each other?

  • The king recognised the queen by her bangle
  • The king recognised the child by his royal marks; Shaivya recognised her husband's voice and appearance
  • The outcaste told them
  • They never recognised each other at all
Read the whole story — Changed appearances

Harishchandra and Shaivya did not recognise each other at first.

The king saw in the child's face the marks of his own son.

Then Shaivya recognised her husband's voice.

The texts disagree

Which text has the episode where the guards seize Shaivya and Harishchandra raises the sword?

  • The Devi Bhagavata, which adds one more turn to this night
  • The Markandeya Purana, chapter 8
  • The Aitareya Brahmana
  • Both texts
Read the whole story — The turn with the sword

In the Devi Bhagavata, the guards mistake Shaivya for a child-eating demoness.

The outcaste orders Harishchandra to kill her, and the king raises the sword.

This episode is not in the Markandeya Purana.

What happened?

In the Devi Bhagavata, when the outcaste told Harishchandra to kill Shaivya, what did the king do?

  • He raised the sword at once
  • He fled
  • He asked the outcaste why
  • He refused, again and again, saying that women should be protected
Read the whole story — The king's refusal

Harishchandra said that women should be protected, not killed.

He said he had kept this vow his whole life.

Only when the outcaste grew angry did he raise the sword.

What happened?

What did Shaivya ask for, faced with the sword?

  • Her own life
  • Time to perform her son's last rites
  • Harishchandra's release
  • Permission to return to Ayodhya
Read the whole story — A mother's request

Shaivya had no thought for her own life.

She asked only that her son's last rites be allowed to go ahead.

It is with this request that the night moves forward, and the pyre is prepared.

Later tradition

A popular version of the story is famous for one more scene on this same night — a demand for a "fee" at the cremation. Where is this scene found?

  • In chapter 8 of the Markandeya Purana
  • In chapter 26 of the Devi Bhagavata
  • It is not found in either text's Harishchandra episodes; it is famous in later popular versions
  • In Valmiki's Ramayana
Read the whole story — What was not found in the text

A scene where a fee is demanded for cremation from Shaivya is very well known in the popular versions of this story.

We did not find this scene in the Markandeya Purana's Harishchandra episode or in Devi Bhagavata 7.25–26.

So it has not been placed inside the story here; it belongs to a later tradition.

What happened?

What did the two decide, beside the pyre?

  • To return to Ayodhya
  • To ask Vishvamitra for forgiveness
  • To beg the outcaste for release
  • To step into the burning fire with their son
Read the whole story — Stepping into the fire

In the Markandeya Purana, Shaivya says she too will step into that same fire.

Harishchandra also decides to step into the fire with his son.

In the Devi Bhagavata he says the same thing: I will leap into the burning fire with my son's body.

Riddle

I arrived at the cremation ground at midnight. My son's body was in my arms, and my husband stood before me, though I did not recognise him at first. Who am I?

  • Shaivya
  • Draupadi
  • Sita
  • Savitri
Read the whole story — The mother of that night

Shaivya is Harishchandra's wife, also called Taramati or Chandramati in some tellings.

She arrived at that very ghat, carrying her son's body.

The story repeatedly shows Shaivya enduring slavery, separation and the death of her son without collapsing under them.