Exile, Lanka and the Pushpaka — Raghuvamsha, illustration

Chapter 8

Exile, Lanka and the Pushpaka

The Rama whose whole story Kalidasa compresses into one hundred and four verses — and then, flying home in the Pushpaka, shows Sita every place she had walked on foot

Exile, Lanka and the Pushpaka is chapter 8 of Raghuvamsha. Source: Raghuvamsha, cantos 12 and 13 (Kalidasa). It is told in 5 scenes — The White Hairs of Old Age; Chitrakuta to Panchavati; From Shurpanakha to Ravana; The End of Ravana; In the Pushpaka — followed by 10 quiz questions.

The White Hairs of Old Age

Dasharatha had enjoyed every pleasure, and he was now like a lamp that has burned its oil to the wick and is about to go out at dawn. Kalidasa says grey hairs came to his ear as if afraid of Kaikeyi and whispered, "Make Rama king."

The news of Rama's coronation made everyone happy, as a canal makes a garden happy. Kaikeyi brought the preparations to a halt, unmoved by the king's tears. She asked for the two boons the king had once given her. By one, Rama went to the forest for fourteen years; by the other, Bharata got the kingdom — which brought only her own widowhood.

Rama had at first accepted, with tears, the earth his father gave him; now he accepted his father's command to go into the forest with joy. People saw that Rama's face was the same in a pair of silk garments and in a pair of bark garments. With Sita and Lakshmana he left for the forest.

Dasharatha remembered his old curse. He took giving up his body as the only atonement.

Chitrakuta to Panchavati

Bharata was called from his mother's family. On hearing of his father's death he turned away not only from his mother but from the kingdom. He set out with an army to find Rama, weeping at the trees under which Rama had sat, which the hermitage-dwellers pointed out.

At Chitrakuta he told Rama of their father's death and begged him to take the kingdom. Rama could not break his father's word. So Bharata asked for his sandals and kept them as the deities of the kingdom. He did not enter the city but lived at Nandigrama, ruling as though it were a trust.

Rama, Sita and Lakshmana stayed at Chitrakuta. One day, while Rama slept with his head in Sita's lap, Indra's son, in the form of a crow, pecked at Sita's breast. Rama let fly a blade of grass as a missile, and the crow fled, losing one eye.

Then they went south. Agastya gave Sita an ointment, and its scent made the bees forget the forest and leave the flowers to follow her.

From Shurpanakha to Ravana

At Panchavati, Ravana's sister Shurpanakha fell in love with Rama. Rama said, "I have a wife; go to my younger brother." Lakshmana refused her too. She went back to Rama, and Sita laughed. In anger Shurpanakha took her true demon shape, and Lakshmana cut off her nose and ears. She went to Khara and Dushana.

Rama alone destroyed that whole army of demons with his arrows. It was Shurpanakha who carried the news to Ravana. Ravana sent Maricha as a golden deer, drew Rama and Lakshmana away, and carried off Sita. Jatayu fought him briefly and, with his wings cut off, told Rama where she had gone before he died. Rama and Lakshmana performed his rites as for a father.

After Kabandha was freed from his curse by death, they learned of Sugriva. Rama killed Vali and gave Sugriva the kingdom. The monkeys went out in all four directions to search for Sita. Hanuman crossed the ocean and found Sita in Lanka, ringed by demonesses like a healing herb ringed with poisonous creepers. He gave her Rama's ring.

Then came the war. Meghanada's serpent-noose bound Rama and Lakshmana, and they were freed when Garuda came. Lakshmana fell wounded by Ravana's spear, and Hanuman brought the herb that revived him. Kumbhakarna fell like a mountain.

The End of Ravana

Then Ravana himself came, and Indra sent his own chariot with Matali. Rama was on foot, Ravana in a chariot. Rama climbed into that chariot, whose banner fluttered in the wind from the waves of the heavenly Ganga.

Ravana had ten heads and twenty arms. Rama looked at him with the respect due to a worthy foe — who had conquered the guardians of the world, who had offered his own heads to Shiva, who had lifted Kailasa. Ravana shot an arrow into Rama's right arm, which had already throbbed to foretell the union with Sita.

After many exchanges, Rama loosed the Brahma missile. It entered Ravana's chest and went into the earth, as if to tell the serpents the glad news. Then it multiplied tenfold and cut off all ten heads. The gods rained flowers, though they feared the severed heads might join again.

Matali went back. Rama found Sita pure in the fire, gave Vibhishana the kingdom of the demons, and set out for Ayodhya in the Pushpaka with Sugriva, Lakshmana and Vibhishana.

In the Pushpaka

Flying through the sky, Rama said to Sita, "Look, daughter of Videha, this ocean that I divided with a bridge up to the Malaya mountain, as clear as an autumn sky with its stars and the Milky Way. Our forefathers dug it, searching for Sagara's horse." And then he began to show her everything.

"Those oyster-shells, the hissing snakes, the lines of areca palms along the shore. The pollen of the ketaki has dusted your cheeks. Down there is Janasthana, where ascetics are rebuilding their hermitages. And this is where I found your anklet, gone silent in its grief. These creepers showed me the way you were carried off, bending their branches toward it. The does looked toward the south and told me what I could not learn myself.

"That is Mount Malyavan, where I spent the rains without you. And that is Pampa, where I longed to hold you and caught at an ashoka branch, and Lakshmana stopped me. That is Panchavati, where I slept with my head in your lap. That is the hermitage of the great sage Agastya, who threw Nahusha down from heaven. That is the penance-grove of Atri. That is Chitrakuta, where I put a tamala flower in your ear."

Then the meeting of the Ganga and the Yamuna, and the Sarayu — like a mother, coming to embrace him with the cool breeze of her waves. And in front, Bharata — in bark clothes, on foot, with the materials of worship in his hands, with Vasishtha ahead and the old ministers behind.

"Look, Bharata is coming to meet me."

Note: This chapter follows cantos 12 and 13. The OCR of cantos 11 and 12 in my source is noisy, so some details of this chapter (Kaikeyi's boons, the crow, Shurpanakha) are told more briefly. Kalidasa's Rama story differs from Valmiki's in places (for example the plain verse on Sita's trial by fire, 12.104), and where it differs, Kalidasa's text is what is given.

Source: Kalidasa's Raghuvamsha (from M. R. Kale's English translation, with Mallinatha's commentary), Exile, Lanka and the Pushpaka

Now — how much stayed with you?

Fact

In the Raghuvamsha, what did Kaikeyi ask for with her two boons?

  • Rama as king and exile for Bharata
  • Dasharatha's abdication and Rama to the forest
  • Fourteen years of exile for Rama and the kingdom for Bharata
  • Exile for Lakshmana and the kingdom for Bharata
Read the whole story — Two boons

Kalidasa says it all in a single verse: one for the forest, the other for the kingdom.

He adds that this brought her only widowhood.

That thread explains why Bharata lived at Nandigrama.

What happened?

What did Bharata take from Rama?

  • His sandals, which he kept as the deity of the kingdom
  • His bow
  • His ring
  • His crown
Read the whole story — The sandals

Bharata said it was more fitting that the sandals rule on Rama's behalf than that he rule alone.

That is why he lived at Nandigrama, not in the city.

He ran the kingdom as a trust.

Why is that?

Why did Hanuman give Sita Rama's ring?

  • Rama sent it to help her
  • Ravana had told Hanuman to
  • The ring was used in the war
  • It was Rama's token of recognition, so that Sita would know he was truly Rama's messenger
Read the whole story — A token of recognition

In the Raghuvamsha the ring is a husband's token of recognition.

Sita welcomed it with her tears.

This is one of Kalidasa's tender comparisons.

Who am I?

I am Indra's charioteer. I brought Indra's chariot to Rama. Who am I?

  • Maruti
  • Matali
  • Sumantra
  • Daruka
Read the whole story — The chariot of heaven

Ravana was in a chariot and Rama on foot.

Indra sent his own chariot with Matali.

On it Rama ended Ravana.

Put it in order

Put the events in the right order.

  • Exile → Bharata's sandals → the abduction of Sita → the end of Ravana → the return in the Pushpaka
  • The abduction of Sita → exile → Bharata's sandals → the end of Ravana → the return in the Pushpaka
  • Exile → the end of Ravana → the abduction of Sita → Bharata's sandals → the return in the Pushpaka
  • Bharata's sandals → exile → the return in the Pushpaka → the abduction of Sita → the end of Ravana
Read the whole story — From twelve to thirteen

Canto 12 tells the whole Rama story in about a hundred verses.

Canto 13 is the journey back.

That is why canto 13 is called the Pushpaka-yatra.

Who said it?

"Look, daughter of Videha, this ocean that I divided with a bridge" — whose words are these?

  • Lakshmana's, to Rama
  • Vibhishana's, to Sita
  • Hanuman's, to Sugriva
  • Rama's, in the Pushpaka, to Sita
Read the whole story — India seen from the sky

This is the opening of canto 13.

Sita and Rama sat in the Pushpaka, which moved at the wish of the mind.

Kalidasa gives each stop one or two verses.

Fact

Where did the Pushpaka come from, and what did Rama finally do with it?

  • Indra gave it, and Rama kept it
  • It was won from Ravana, and once in Ayodhya Rama returned it to Kubera
  • Vibhishana gave it, and Rama gave it back
  • Maya the demon built it
Read the whole story — Kubera's chariot

The Pushpaka is understood to be Kubera's flying chariot that Ravana had seized.

In canto 14 of the Raghuvamsha, Rama returns it to Kubera.

This agrees with Valmiki's tradition.

Interpretation

Kalidasa compresses the Rama story into one canto and then gives a whole canto to the road home. How should we read this? (This is our reading.)

  • The poet could not describe battles
  • Valmiki's story was incomplete
  • To the poet, the feeling that fills every place with memories of Rama and Sita is bigger than the plot
  • The poet wrote in haste
Read the whole story — A journey of memory

In canto 13 Rama links each place to what Sita lived through there.

It is both a geography and a recollection of separation.

This reading is ours, not a direct statement of the verses.

What happened?

How did Bharata welcome Rama as he came down from the Pushpaka?

  • On an elephant, with an army
  • Standing at the gate, saying nothing
  • In a chariot, wearing a crown
  • On foot, in bark clothes, with the materials of worship, and he embraced him
Read the whole story — Bharata's dress

Bharata wore bark clothes and walked with the ministers.

Vasishtha came ahead of him, and he carried the materials of the welcome offering.

Rama recognised him and took him in his arms.

Riddle

I am a river. Rama calls me mother because I come to embrace him with the cool breeze of my waves. Who am I?

  • The Sarayu
  • The Ganga
  • The Godavari
  • The Mandakini
Read the whole story — The river of home

The Sarayu is the river of Ayodhya.

That day Rama saw her as a mother who had borne her son's absence.

In canto 15, at his departure, he will go down into this same river.

Questions about Exile, Lanka and the Pushpaka

What happens in Exile, Lanka and the Pushpaka (Raghuvamsha)?

The Rama whose whole story Kalidasa compresses into one hundred and four verses — and then, flying home in the Pushpaka, shows Sita every place she had walked on foot. The story moves through: The White Hairs of Old Age; Chitrakuta to Panchavati; From Shurpanakha to Ravana; The End of Ravana; In the Pushpaka.

What comes after Exile, Lanka and the Pushpaka in Raghuvamsha?

Sita Is Sent Away comes next: The king who had found Sita pure in fire sent her to the forest after a spy's report of what the city said — and in the message she sent back there was not a word of complaint.

What is the source for Exile, Lanka and the Pushpaka?

Raghuvamsha, cantos 12 and 13 (Kalidasa).